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Monday, February 10, 2014
The RED SKY album is probably one of the most unique projects we have gotten the chance to review.
ARTIST(S): Aja Lorraine & Wally Clark
ALBUM: Red Sky
The RED SKY album is probably one of the most unique projects we have gotten the chance to review. It's definitely an experimental project featuring Aja Lorraine's vocals mixed with Wally Clark's production. Let's also be clear, this is NOT a rap album. If you enjoy listening to R&B like vocals over various styles of production, and you enjoy the more eclectic styles of music; this would be the album for you.
This album was more abstract in its content and production, and didn't necessarily follow the standard formats for verses, hooks, etc. It seemed to have a more organic composition to it overall.
The ability of Aja to blend her writing and delivery to the production definitely showcased her strength as a vocalist. The melodies were absolutely unexpected in many of the tracks, but made sense.
One of the key factors that gave this album a good rating was the mixes. Most of the tracks were well balanced. The clarity in most of the tracks is what made this a smooth listen.
Tracks like BEEN AWAY could have used a little less on the synths, and WHAT KINDA CAT had some horns that would have been better more prominent in the mix.
While the production had a good range even within tracks, with drops and sequences that created various moods within the songs; there were some tracks like 1 SIDED LOVE and SKIN TO SKIN that seemed a bit monotonous after a while. The best songs were those that had a variety of sequences where Aja would follow the moods it created.
Our top picks for this album are REPO CHICKS, WHAT KINDA CAT and RED SKY. Check those out and let us know which ones are your top picks.
Overall, if you're looking for something more experimental and less Hip Hop; this is a good project to check out. There are links below with streaming and purchasing options.
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Monday, December 23, 2013
The Snooze Button is definitely not an album to be taken lightly or slept on. It's properly titled and boasts a myriad of tracks that will make any fan of Hip Hop remember why they enjoyed emcees in the first place.
ARTIST(S): Annex (
@annexhiphop)
ALBUM: The Snooze Button LP
OVERALL RATING: 
The Snooze Button is definitely not an album to be taken lightly or slept on. It's properly titled and boasts a myriad of tracks that will make any fan of Hip Hop remember why they enjoyed emcees in the first place. There's a total of 12 tracks, including intro and outro; and the production ranges from hard drops and bass lines to smooth production with insightful lyrics.
The opening track, "Respect My Carpet" jumps off with an authoritative flow and anthemic production. Annex makes it clear he understands the limitations of lyrical emcees, while still demanding the respect for his craft as an artist.
He follows it up with "Over My Dead Body," that features hard hitting production along with the slightly dismissive tone we once knew emcees to thrive off of. In one of his verses, he has the following advice for the younger generation: "
Smarten up young thug / they want you talking about the guns and the drugs / they love to hear you ni**as scream no love / it's fuel for the agenda before they pull the rug"
This album has a lot of gems for thought mixed within the wordplay, and it will take a few listens to catch all the lines. The good part about this project is that most tracks will actually make you want to listen again. The delivery and texture of his voice flows well with the production of the tracks; so, it makes for a good listen. His ability to transform his delivery is obvious in tracks like "On My J.O." and "Don't Remind Me."
The features on this project from Laws, Vayga, imagiin360, Knucklez, Mike Mass, Aja Lorraine, Laz, J. Scriptz, B. Worthy and Jae Luis bring their own style to the respective tracks they appear on. His ability to pick good features was one of the things that gave him a good rating. So many times, features take away from the album, and for the most part, his features didn't water down the project at all.
Nonetheless, the few weak points of the album were on tracks like "This World," where the mellow feel was definitely needed, but it lacked the impact it could have had with a hook was mixed with a bit more strength and the production had a few more buildups in the instrumental.
Some of the mixes on the instrumentals clashed a bit as in the track, "On My J.O." that should have probably had horns on a different octave so as not to take from the vocalist. Other than that, the only lacking element from the album was the fluidity between tracks. This could have been a good storyline album, but it lacked the cohesive interludes to phase in between tracks.
Overall, the project was solid and a must have for any Hip Hop enthusiast that loves raw indie rap with no filters. Annex not only found his voice, but stepped his character up a bit more through the years and it shows in every verse he drops on this album. Seeing the growth from the last project was indeed refreshing.
We'll finalize this review with the following Annex line from his outro track: "You're self-driven if you're doing what you love / but understand that even the best of us benefit from a shove."
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Monday, November 4, 2013
There are rarely groups that truly go outside of the box to deliver some good music mixed with great comedy AND dope production. This is definitely one of THOSE kind of projects.
ARTIST(S): FoulMowf & Hagan Lee
ALBUM: Here to Hear
So, we received this project from some St. Petersburg emcees that redefine the meaning of UNIQUE. There are rarely groups that truly go outside of the box to deliver some good music mixed with great comedy AND dope production. This is definitely one of THOSE kind of projects. FoulMowf and Hagan Lee combine forces to create a completely unfiltered approach that will have you rewinding just to hear the wild punch-lines and metaphors used throughout the project.
Opening up the album with a completely comical sample; the beat drops to expose their absolute dedication to hard hitting production on "You Can Find Me." While opening up the album with a long track of features is usually not the best move, it did create the feeling necessary to understand exactly how diverse these guys could be.
Tracks like "Dominate," "Morning" and "Words" will definitely be one for the Hip Hop heads to save in the playlist. The authoritative flows and production on these tracks are enough to gain respect in any circle of emcees.
One of the most unique and hilarious tracks is "Smart Dummy." FoulMowf's off the wall delivery and completely insane lyrics are one of our favorites on this project. It's definitely not a track for those easily offended; but if you can take a joke, this will be one of those tracks that people play back for their friends simply because of how crazy it really is. The production definitely compliments the flow and it simply WORKS.
Overall, the project was solid and one of the most creative sounds we have heard in a while. There were some weak points to the project, which were mainly mix related, thus dropping their rating here. "Black Hoodie" was a dope track and concept, but the overall mix on the production could have used more strength on the low to mid-range frequencies. "Bad Seed" was another track that would have made the playlist easily had the mix had a bit more power to it. "Everything" had a great concept and sound, but the vocals needed more of bump in the overall mix; and "Strictly Commercial" somewhat drowned out FoulMowf's vocals a bit. These are a few of the examples of tracks that needed some engineer work, but also made us question what would happen with these guys on a project with a very polished mix and master.
This project is definitely a must have for those who enjoy a different sound that is both creative and still true to its roots in Hip Hop. One of the cool things about this project through the whole CD is the use of Hip Hop samples and references from ODB to KRS and more. While their sound is definitely new school, you can clearly hear the influences that heads will appreciate. This is not to say that they sound anything like Golden Age Hip Hop… believe us when we say that they have THEIR OWN SOUND. Download their project for free below and let them know what you think.
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Monday, January 28, 2013
We at BootSlap are advocates for Indies with QUALITY MUSIC; so we base our reviews on 4 key components. This system of rating provides us a standard of quality that is not simply left to the bias of the writer or reader.
An overview of the BootSlap Rating System
In every masterpiece, there are various components that make up that work of art in a way that exemplifies it as genius. Whether it is the stanzas in a poem, the movements in a symphony or the components of a Hip Hop record; there are pieces to that work that come together and make it QUALITY MUSIC. We at BootSlap are advocates for Indies with QUALITY MUSIC; so we base our reviews on 4 key components. This system of rating provides us a standard of quality that is not simply left to the bias of the writer or reader.
IN OTHER WORDS...
The lyrics in music may be as elementary as Kermit the frog with a twist of tight jeans and pocket protectors; but the production is phenomenal, the mix is phenomenal, and the overall delivery of the artist projected well. They may get a good rating.
On the other hand; the lyrics may be completely flawless, but the delivery might sound more like a Gregorian chant, and the production is completely mixed like an old school cassette tape playing on a dusty boombox with one speaker working. That might not get a great rating. Just a simple thought to ponder when you make music.
WHAT WE'RE BASICALLY SAYING IS…
We are eliminating the opinion and trying to observe MUSIC for exactly what it is… MUSIC! So, I guess you want to know the formula, huh?
THE OFFICIAL BOOTSLAP REVIEW SYSTEM
They look something like this
(halves look like this…
)
AND BELOW IS HOW WE BREAK IT OUT ON THE SCALE
- 4.5 BOOTS: Repeat Alert!!!!
- 4 BOOTS: Pretty Damn Good!!!!
- 3.5 BOOTS: This gets a #salute
- 2.5 BOOTS: It's good, but might need some work
- 2 BOOTS: Definitely needs some work, but it has potential
- 1.5 BOOTS: It's OK…. (yea, how that sounded in your head)
- 1 BOOT: Not really a strong point, huh?
- HALF A BOOT: C'Mon Son…. (insert Ed Lover pic here)
Like we said earlier… there are COMPONENTS to every masterpiece, so this is how we ask ourselves how to rate projects:
LYRICS: Are you on topic, do you articulate well and are you creative with the way you put those words together? Lyricism is the key here, but making sense matters JUST AS MUCH here. What story are you telling me? Do I get it?
PRODUCTION: Is the production well composed, constructed and mixed? Does it tell its own story and carry its weight on the project? Is it even original??????? (We have to ask these days….)
MIX: Does everything sound clean? Are the frequencies balanced correctly across the record? Does this sound like a QUALITY MIX? Every type of music and genre has its own way to mix and blend frequencies; does the mix match your song?
OVERALL: This is done by simply taking the 3 components above; Lyrics, Production and Mix, and calculating the average between them. This then equals the overall rating of the project. Rounding in any way is up to the discretion of the writer. Think of it as a MINUS or PLUS on a test (i.e. c-, b+, etc etc blah blah blah)
THIS IS HOW WE COME UP WITH OUR RATING OF PROJECTS. LIKE IT OR HATE IT, THIS IS WHAT KEEPS US HONEST AND KEEPS ARTISTS GROWING. THERE IS NO PROGRESS FOR THE INDIE ARTIST IF THEY CANNOT SET NEW STANDARDS ONCE THEY MEET THE OLD ONES.
SINCERELY,
THE BOOTSLAP TEAM
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Friday, November 5, 2010
From Xzibit, to Planet Asia, to the Game; the west coast has always brought about some of the best lyricists to the industry.
Artist(s): Melo Kan
Album Name: The Unkomfortable Silence
Year of Release: 2010
Overall Rating: 
From Xzibit, to Planet Asia, to the Game; the west coast has always brought about some of the best lyricists to the industry. For as much as some people sleep on the west coast artists at times; Melo Kan's latest release will bring back that fervor that fans of REAL LIFE HIP HOP with something RELEVANT will appreciate. I can see most of them making placement on their iPods and MP3 players for this album, as it is definitely a rising artist you WANT to keep an eye on!
The Unkomfortable Silence starts off with a display of lyricism if nothing else. Melo Kan proves in the first few minutes that he is not an amateur at wordplay. He continues this throughout the WHOLE ALBUM without failure. Lyrics like, "You the reason why my people sick and tired of rap / so they sent me to provide what you lack." in Kome Alive make it obvious he's not in this for the popularity or the nonsense.
Most of the album is pretty much a composition of hard beats with a jazz/blues feel, with the exception of a few tracks that were more standard to what most people hear on both coasts. His ability to blend the styles of music and even the dialects of Hip Hop is impressive. He proved clearly he could rock on BOTH COASTS with no problem at all.
Some of the hooks on the album needed work, and it can probably be said that these are his weakest parts of the album. Tracks like The Learning, Klean It, and The Bawse left me wanting a bit more from the hooks, and sometimes lost me in monotonous chants that really didn't lead out of or into any of the verses well.
One thing that can be said is that the engineer was ON HIS JOB with this album. Most of the mixes were clean and well thought out. There were only a few mixes that seemed a bit out of place, such as The Bawse, which suffered from acute crashes that were a bit distracting along with the hook on Blue Lines which could have been edited to make the layers a bit less distinctive and crowded.
Overall, this album gets a BIG UPS for the artist on the west coast that brings this kind of heat. Melo is not your average emcee, and he is DEFINITELY AN EMCEE without any doubts. Peep out some of the hottest tracks on here, which would be Kreepin' and My World and make sure you put those speakers on BLAST!!!!
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Tuesday, October 26, 2010
R.A.P.P. Quelle - After The Art: We Are Up (Mixtape Review) on BootSlapRap.com | Home of the independant reviews and business.
Artist(s): R.A.P.P. Quelle
Album Name: After The Art: We Are Up Mixtape
Year of Release: 2010
Overall Rating:
Most mixtapes are filled with DJ cuts and slices with overbearing DJ's screaming at the mic biding for the attention of the listener as much as the emcee. This was NOT the case for R.A.P.P. Quelle's latest mixtape release, After the Art: We Are Up. Quelle's ability to weave words together as well as the mixtape more closely resembling the track flow of an actual album make this mixtape a good addition to the collection.
The mixtape starts with the eerie song from Pirates of the Caribbean 3, almost making the listener wonder what he means from that. Are WE as Hip Hop the pirates singing our song to the death pursuing perpetual voice in the music market? Nonetheless, the mixtape moves on to the next track resembling the usual shout outs and long intros traditionally seen.
As the first real cut begins with "Why Be Afraid," I couldn't help but think of DMX and his gritty yelling on the mic. R.A.P.P. Quelle does this, but with a twist of his own that stands him apart a bit from DMX. It's more than obvious that Quelle is not your average rapper, and his lyrics alone help him a lot of the way along with tracks like "The Enigma is All Me" and "We Are Up (Light Up Remix)"
Tracks like "Forgot About Wishing" using the airplanes instrumental showcase some of his heart in this music when he states, "I pray none of these words get lost in translation / Hopefully you get every bar that I'm saying." He makes it obvious he has no plans of stopping.
There are some downsides to this mixtape which really accounted for most of the loss in points. One major point is that Quelle's delivery really doesn't range out well. He's pretty much screaming most of the time or at least sounding like he is. The texture of his voice should be a bit mellower on some tracks and lacks that drop in tracks like "All the Way Up" and "PSA."
Some other things to mention are his selection of tracks, which I thought with his delivery, could have been a bit heavier to match his aggressive tone. Not all the beats matched him specifically, but worked out merely on the fact that he got lyrics for days. I would like to hear him on some heavy percussion, low-end drops and tracks that match more of his voice texture.
