An overview of the BootSlap Rating System

IN OTHER WORDS...

WHAT WE'RE BASICALLY SAYING IS…

THE OFFICIAL BOOTSLAP REVIEW SYSTEM

They look something like this (halves look like this… )

AND BELOW IS HOW WE BREAK IT OUT ON THE SCALE

- 5 BOOTS: FLAWLESS!!!!

- 4.5 BOOTS: Repeat Alert!!!!

- 4 BOOTS: Pretty Damn Good!!!!

- 3.5 BOOTS: This gets a #salute

- 3 BOOTS: Good Work!

- 2.5 BOOTS: It's good, but might need some work

- 2 BOOTS: Definitely needs some work, but it has potential

- 1.5 BOOTS: It's OK…. (yea, how that sounded in your head)

- 1 BOOT: Not really a strong point, huh?

- HALF A BOOT: C'Mon Son…. (insert Ed Lover pic here)

 

Artist(s): Kembe X
Mixtape: Self Rule Mixtape (2011)

Overall Rating:

So, we decided to peep out Kembe X's new joint titled SELF RULE for a 2nd Round review. Most times, artists have a hard enough time getting just a few good songs in ONE project; much less a group of successive projects that show TRUE growth. As usual, his ability to create intricate wordplay is probably the most ingenious part of his delivery.

He starts off the project with an inspiring Malcolm X speech for the intro. Their mix and choice of background music was definitely well done. This is actually something that could be said about a lot of the project, overall. The choice in production matched the lyrics extremely well throughout the project.

From "Introlude" with its smooth delivery and laid back production, to "Quarter and a Nightmare" with its odd use of melodies over smooth lines of rhythm; Kembe's ability to weave a story that pulls in the listener is undeniable. Any listener will notice, right away, that not only is Kembe X able to adapt easily to various rhythms; but his choice of production is phenomenal.

Some tracks worth a DEFINITE mention are, "Patience," which helped bring the project back into perspective and made it come alive midway when the track tempos starting blurring together. This track is a definite REPEAT BUTTON CULPRIT! The only thing it could have used was less saturation on the distortion of the vocals of the hook. It was a bit heavy and could have balanced out a bit better to sound less gritty.

Between "Backwards" with its old school "Midnight Marauder's" feel, and smooth bass riffs and woodwinds of "Don't Quit;" it's clear his influences are not just constrained to recent music. Kembe X seems to be rooted in MUCH MORE than today's superficial digi-songs. His music reaches back out to the listener and incites that old warm feel Chi-Town artists are known well for.

While we have a lot of good to say about this project, and the ratings speak the same; there were some slight downsides to the project that could have used some work. "Cold Summer" loses a little momentum, which he makes up with his ability to paint a picture with lyrics. "Don't Quite" could have used a little more work on the bridge and the feature artist, Alex Wiley, could have had better breath control in his delivery.

Despite the very minute flaws on this project; the quality, wordplay, production and overall mix puts Kembe X on a different playing field than many indie artists who are still trying to mature their sound. Peep out the download and HEAR HIP HOP REVIVING FIRST HAND!

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Overall Rating:

OK, so we came across this submission this week and thought it was DEFINITELY worth a good mention. This was probably one of the better finds we have had in a while, and aspiring Emcee, Kembe X, hailing from the South Suburbs of Chicago exemplifies the very nature of a poetic emcee. His wordplay is ridiculously talented, and his ability to deliver accurately on beat is undeniable in every sense of the word!

1. Mixing was very poor. It did not match the quality of his lyrics, and it almost took away from the punch of the song overall, leaving the listener almost wanting more of his lyrics with new beats.
2. The usage of effects, especially in the initial track "Balla Shit Till," was a bit unbalanced with the final mix. It was almost as if they went back and did this over the master or something.
3. Too many mid range frequencies (500-700mhz) in the EQ and not enough 120mhz, 2khz and 10khz frequencies in the final output.

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FACEBOOK LIKE PAGE
http://www.facebook.com/pages/Kembe-X/150406498356725?sk=app_178091127385

TWITTER PAGE
http://twitter.com/kembe_x

YOUTUBE CHANNEL
http://www.youtube.com/kembexandercast24

Artist(s): R.A.P.P. Quelle
Album Name: After The Art: We Are Up Mixtape
Year of Release: 2010

Overall Rating:

Most mixtapes are filled with DJ cuts and slices with overbearing DJ's screaming at the mic biding for the attention of the listener as much as the emcee. This was NOT the case for R.A.P.P. Quelle's latest mixtape release, After the Art: We Are Up. Quelle's ability to weave words together as well as the mixtape more closely resembling the track flow of an actual album make this mixtape a good addition to the collection.

The mixtape starts with the eerie song from Pirates of the Caribbean 3, almost making the listener wonder what he means from that. Are WE as Hip Hop the pirates singing our song to the death pursuing perpetual voice in the music market? Nonetheless, the mixtape moves on to the next track resembling the usual shout outs and long intros traditionally seen.

As the first real cut begins with "Why Be Afraid," I couldn't help but think of DMX and his gritty yelling on the mic. R.A.P.P. Quelle does this, but with a twist of his own that stands him apart a bit from DMX. It's more than obvious that Quelle is not your average rapper, and his lyrics alone help him a lot of the way along with tracks like "The Enigma is All Me" and "We Are Up (Light Up Remix)"

Tracks like "Forgot About Wishing" using the airplanes instrumental showcase some of his heart in this music when he states, "I pray none of these words get lost in translation / Hopefully you get every bar that I'm saying." He makes it obvious he has no plans of stopping.

There are some downsides to this mixtape which really accounted for most of the loss in points. One major point is that Quelle's delivery really doesn't range out well. He's pretty much screaming most of the time or at least sounding like he is. The texture of his voice should be a bit mellower on some tracks and lacks that drop in tracks like "All the Way Up" and "PSA."

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Artist(s): The Watchmen
Album Name: Wu-Tang Management presents The Watchmen
Year of Release: 2010

Overall Rating:

Wu-Tang has never really stood still since their emergence on the scene almost a decade ago. They have released various group and solo albums, as well as movie music and animated adventures. While the last few years we have seen various efforts from each member to extend themselves within their respective styles, there has also been a major recruitment of affiliate groups that the Wu has been pushing out lately. One of those groups coming out of Florida is THE WATCHMEN. A crew consisting of 5 determined artists to make a mark on the WU Map.

Keeping true to the Wu Brand, The Watchmen dropped a double CD, with the first beginning very reminiscent of most albums with intro scripts from old school karate flicks. From the beginning of the album, you can hear a slight nostalgia of Killa Army influencing some vibes, but the crew quickly breaks away into their own style and flow as the album moves on. It's not hard to understand that this group is clearly ABOUT THAT LYRICISM and the use of "poison darts" to dominate the tracks one by one. There are some serious "burners", and much for the most unexpected reasons.

Tracks like "It's Not Too Late," with its signature Wu female vocals and crazy wordplay; as well as "Not Living" with its Soul Music quality combined with great lyric delivery make a clear impact into both the independent and commercial markets. This album has some diversity with tracks like "Cruisin" that brought a very Latin element to the crew. With tracks like these, there may be something the team is onto. It's VERY clear they experiment well.

By CD number two, you can see that the crew can do both old school styles, but have an updated flow to match the younger minds as well. There are some tracks that don't build well for the team in this album. Tracks like "It's a Shame" and "Chinese Split" didn't really stand out at all, and made the forward button look increasingly tempting.

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