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In the old music industry, there were only three media outlets that could cause an artist to "break" nationally: MTV, magazines like Rolling Stone, and commercial radio. Today, of these three outlets, only commercial radio is left, and the major record labels, in collusion with the station owners, control it.
Although lines can become blurred depending on how hands on your public relations rep may be, normally publicist have nothing to do with...
Ari, I was interviewed for a local music mag and some of my words were distorted and weren't completely accurate to what I expressed. What should I do?
I suggest starting local and connect with establishments catering to the artist genre you represent and see if they host reputable showcases, open mics, concerts etc.
Despite what most think press releases are quite simple to draft. Especially if you stick to one important rule "Keep it simple!"
No matter what you decide, proper marketing and public relations is almost as important as the music you create.
Is it still acceptable to submit hard materials such as CDs, and physical press kits?
Do you think it's important to have a lawyer review my contracts when I work with producers and labels?
As an indie artist you NEVER miss an opportunity to network with people as influential as DJs, NO MATTER where they are.
One of the interesting unintended consequences of the trend away from albums and back towards singles is that there is now less mechanical income being generated for writers.