http://www.bootslap.com/apps/articles/default.asp?blogid=0&view=post&articleid=Saga--The-Strong&link=1&fldKeywords=&fldAuthor=&fldTopic=0

Kickin it this Monday with THE STRONG by @Saga718 on BSR

http://www.bootslap.com/apps/articles/default.asp?blogid=0&view=post&articleid=Nino-Bless-Illuminati-Reject-Review&link=1&fldKeywords=&fldAuthor=&fldTopic=0

We have all heard the phrase, "levels to this," right? Insert the ILLUMINATI REJECT project to that sentence and walk away. This project is probably one the strongest ones to meet our review gauntlet.

http://www.bootslap.com/apps/articles/default.asp?blogid=0&view=post&articleid=To-Pay-or-Not-to-Pay-to-Play-Part-1-of-4&link=1&fldKeywords=&fldAuthor=&fldTopic=0

The concept of covering costs and having hungry artists prove their ability to market themselves is not a new concept; but one that is quickly becoming normality among many promoters in various cities. Some artists and individuals strongly disagree with the model, so we'll explore the benefits as well as the drawbacks of the PAY 2 PLAY model.

http://www.bootslap.com/apps/articles/default.asp?blogid=0&view=post&articleid=The-Hidden-Money-In-Radio&link=1&fldKeywords=&fldAuthor=&fldTopic=0

In the old music industry, there were only three media outlets that could cause an artist to "break" nationally: MTV, magazines like Rolling Stone, and commercial radio. Today, of these three outlets, only commercial radio is left, and the major record labels, in collusion with the station owners, control it.

http://www.bootslap.com/apps/articles/default.asp?blogid=0&view=post&articleid=The-Value-of-a-Good-Mix-Via-BMI&link=1&fldKeywords=&fldAuthor=&fldTopic=0

One of the most vital of these steps is the mix. It's not enough to have a great song; you need a great recording, and a strong mix is an essential part of that.