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<title>BootSlap Journals</title>
<description>From: BootSlap</description>
<link>http://bootslap.com</link>
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<title>To Pay or Not to Pay to Play (Part 4 of 4)</title>
<description>Whether you are a promoter or an artist, the concept of Pay 2 Play affects everything in regards to shows and the business environment it cultivates as a result of ongoing practices. There are many angles to view the business model; and there are multiple benefits and drawbacks from both the implementation of Pay 2 Play as well as the absence of it.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=88967&amp;view=post&amp;blogid=7197</link>
<pubDate>Thu, 19 Dec 2013 00:00:00 -0400</pubDate>
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<title>To Pay or Not to Pay to Play (Part 3 of 4)</title>
<description>Despite the growing number of artists that are paying to get on showcases and opening slots for major shows, there is still a large number of indie artists and like-minded business minds who believe the Pay 2 Play model is more damaging than it is helpful.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=88966&amp;view=post&amp;blogid=7197</link>
<pubDate>Thu, 19 Dec 2013 00:00:00 -0400</pubDate>
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<title>To Pay or Not to Pay to Play (Part 2 of 4)</title>
<description>The most obvious person to benefit from P2P business models are promoters. They gain traction on their event by utilizing various outlets to increase awareness around the production. In addition, they gain the added value of outside fan-bases to introduce them to the overall brand of the production company.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=88965&amp;view=post&amp;blogid=7197</link>
<pubDate>Thu, 19 Dec 2013 00:00:00 -0400</pubDate>
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<title>To Pay or Not to Pay to Play (Part 1 of 4)</title>
<description>The concept of covering costs and having hungry artists prove their ability to market themselves is not a new concept; but one that is quickly becoming normality among many promoters in various cities. Some artists and individuals strongly disagree with the model, so we'll explore the benefits as well as the drawbacks of the PAY 2 PLAY model.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=88964&amp;view=post&amp;blogid=7197</link>
<pubDate>Thu, 19 Dec 2013 00:00:00 -0400</pubDate>
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<title>It's Bigger Than Hip Hop</title>
<description>Whether it's fashion, commercial TV programming or even a white house press meeting; Hip Hop has crept its way into every facet of life. Its influence is undeniable; though it lacks stable leadership and appropriate direction in terms of social responsibility.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=85234&amp;view=post&amp;blogid=7197</link>
<pubDate>Tue, 21 May 2013 00:00:00 -0400</pubDate>
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<title>The Rap Market is Not a Pigeonhole</title>
<description>While it's true that today's artists MUST network and build a true fan-base and web of contacts for business purposes; there is more to this business than simply showing up at events needlessly. When is it time to break free from the networking trap?</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=84928&amp;view=post&amp;blogid=7197</link>
<pubDate>Mon, 29 Apr 2013 00:00:00 -0400</pubDate>
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<title>Rising Out of the Ashes</title>
<description>If we take over-saturation, bad ethics and minimal opportunities into consideration; the world of this music business looks a bit bleak. But is there some light at the end of our proverbial tunnel?</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=84774&amp;view=post&amp;blogid=7197</link>
<pubDate>Sun, 14 Apr 2013 00:00:00 -0400</pubDate>
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<title>Bad Character, Bad Business and Misguided Success</title>
<description>Too often, in this industry, we hear about the frauds and scams that happen. We hear about the stories of alluring deals, imaginative promotions and fake label reps that take people's money, promise them all the glory of success and then skip town just to dupe another unsuspecting victim.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=84448&amp;view=post&amp;blogid=7197</link>
<pubDate>Mon, 18 Mar 2013 00:00:00 -0400</pubDate>
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<title>Build a Bridge or Burn It</title>
<description>We have talked about the cultural and business aspects of Hip Hop in these last few articles, but what we have not touched on is WHY new school hipsters seem to shun the weight of cultural attachments.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=84260&amp;view=post&amp;blogid=7197</link>
<pubDate>Tue, 5 Mar 2013 00:00:00 -0400</pubDate>
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<title>Business vs. Culture</title>
<description>While it's true that the business of music is primarily an exploitation of art or talent for financial profit; are the evils that we attribute to the decline of cultural Hip Hop solely a fault of its business minded counterparts, or is there more to our story than we like to admit?</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=84116&amp;view=post&amp;blogid=7197</link>
<pubDate>Fri, 22 Feb 2013 00:00:00 -0400</pubDate>
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<title>Back Packers vs. Hipsters</title>
<description>Each generation hangs on to their definition of Hip Hop as a holy grail that none should dare challenge. Let's travel the timelines of Hip Hop history and see the logic in our sometimes misguided sense of cultural integrity.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=83934&amp;view=post&amp;blogid=7197</link>
<pubDate>Sat, 9 Feb 2013 00:00:00 -0400</pubDate>
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<title>The Indie Revolution… When Did That Happen?</title>
<description>...let's break down some sideline observations we have noticed in the past decade regarding the INDIE MOVEMENT and its impact to the overall business models of the modern music industry.</description>
<link>http://bootslap.com/BootSlap-Journals?articleid=83771&amp;view=post&amp;blogid=7197</link>
<pubDate>Tue, 29 Jan 2013 00:00:00 -0400</pubDate>
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